Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

11 Classification of Raag


  • No Raag with all 12 notes
  • No Raag with less than 6 notes. 
  • No Raag with two Re (Komal Re and Suddha Re)
  • No Raag with two Dha (Komal Dha and Suddha Dha)
  • There are Raag with two Ga (Komal Ga and Suddha Ga)
  • There are Raag with Tivra Ma and Pa
  • There are Raag with two Ni (Komal Ni and Suddha Ni)
  • Every Raag must have either Ga, Ma or Pa
  • No Raag with presence of Re, but absence of Pa
  • No Raag with presence of Re + Kodmal Dha , but absence of Komal G

Nomenclature 

  • 0 Absent
  • 1 Present
  • <-> Ascent and vice versa in decent
  • <- Decent
Correction R2, G2 replace with R2, G3








Musical Notes


Semi Tone: 

1. GA-MA(E-F) 

2. (NI-SA) (B-C): They are immediate switch

Minor Tone: 

1. SA-RE (C-D). Here we skip one key : Komal G (D#, Eb) 

2. RE-GA (D-E) . Here we skip one key : Komal RE (C#, Db) 

3. MA-PA (F-G). Here we skip one key : TIVRA MA (F#, Gb) 

4. (DHA-NI). Here we skip one key : Komal NI (A#, Bb) 


No. Tone/SemiTone Fy by SriNivas Fy by Western Fy By Manjarikaar Linear scale RASA Emotion
1 Do C So Sa S षडज कोमल स्वर Semi Tone 240 240 240 240.0000 RUDRA Anger
C#
Db
R1 K-R कोमल रिषभ 259 1/5
259.2000
256 254 2/17
254.1176
254.2711
2 Re D R2, G2 Re R रिषभ शुद्ध स्वर Tone 270 270 270 269.3909 VIR Valor, courage
D#
Eb
R3, G1 K-G कोमल गंधार 288 288 288 285.4097
3 Mi E G2 Ga G गंधार शुद्ध स्वर Tone 300 301 17/43
301.3953
302.3811 KRUPA & SHAANT, grace and peace
4 Fa F M1 Ma M मध्यम कोमल स्वर Semi Tone 320 320 320 320.3616 HASYA, humor
F# Gb M2 T-M तीव्र मध्यम 344 8/143
344.0559
337.5 338 14/17
338.8235
339.4113
5 Sol G P0 Pa P पंचम शुद्ध स्वर Tone 360 360 360 359.5937 SHRUNGAAR , Romance
G# Ab D1 K-Dh कोमल धैवत 388 4/5
388.8000
384 381 3/17
381.1765
380.9763
6 La A D2, N3 Dha Dh धैवत शुद्ध स्वर Tone 405 400 405 403.6303 BIBHATS
A# D3, N1 K-N कोमल निषाद 432 432 432 427.6314
7 Si B N2 Ni N निषाद शुद्ध स्वर Tone 452 4/43
452.0930
450 452 4/43
452.0930
453.0597 BHAY & ___, fear and ___
Do C Sa S 480 480 480 480.0000
What is Music?

- 7 notes
- 12 places of these notes
- 22 drones (shruti)
- Ornaments (GAMAKAA)
- Scales (RAAG)
- Emotions (RAS)
- Scripting of music

Music gives: 

1. DAAN Donation
2. YAGNAA Fire offering
3. JAPA Chanting
4. MOKSHA Liberation 

Consonants of Bhagavad Gita Text



Consonants of Bhagavad Gita Text

Context

Sanskrit language’s alphabet is very scientific. All the consonants are divided in different classes. The different sounds made by birds is represented by class consonants (, , , , ङ) , amphibians (e.g. frog) sounds in class ट (ट, , , , ण ), mammals (e.g. sheep, goat, cows etc.) sounds by class (, , , , ) and all the divine prayers, mantras always contain at least one consonant from unclassified category (, , , , , , , , , , ,) . Thus, the alphabet sequence of Sanskrit (and most of the Indian languages) indicates evolution.

Here, an attempt is made to understand, the usage of consonants in holy Hindu scripture Shrimad Bhagavad Gita, using Python code.

Method

·         Shrimad Bhagavad Gita text file is loaded in Python code. This input file is UTF-8 format Unicode text.
·   From the input files, 37 consonants are identified. Their Unicode is 0xE0A495 for , to 0xE0A4BA for .
·         The dictionary data structure is used, to associate all the consonants with different consonant classes and with different speakers. For source code, please refer https://github.com/mpanchmatia/BhagavadGitaAlphabet

Some important findings

·         Shrimad Bhagavad Gita contains total 30271 consonants. The Devanagari (Hindi) script has total 37 unique Unicodes for consonants.
·         Out of these 30271 constantans, majority of consonants 40.22 % used in Shrimad Bhagavad Gita are belongs to unclassified category. The least contribution 2.15 % is from class ट. Here is the detail breakup.

Consonant class
Consonants
Count
Percentage
Class
, , , ,
2116
6.99 %
Class
, , , ,
1746
5.77 %
Class
, , , ,
650
2.15 %
Class
, , , , ,
8611
28.45 %
Class
, , , ,
4973
16.43 %
Unclassified
, , , , , , , , , , ,
12175
40.22 %
Total
30271
30271
100 %


·         The least one is  pronounced only for once by the lord Krishna.
·         The most frequent consonants uttered is , 3931 times and 
·         Out of these 30271 constantans, majority of consonants 80.37% of consonants are uttered by the lord Krishna and 13.39 % of constantans are uttered by Arjuna. Here is the detail breakup.

Speaker
Number of consonants
Percentage of consonants
Arjuna
4052
13.39 %
the lord Krishna
24330
80.37 %
Sanjay
1730
5.72 %
Dhritarashtra
42
0.14 %
None
117
0.39 %
Total
30271
100 %


Please refer https://github.com/mpanchmatia/BhagavadGitaAlphabet/blob/master/output.txt for deatil break-up of all consonants uttered by all characters. 

Future Scope

·         The scope of consonants analysis can be further extended, like, identify patterns that can be corelated to energy movement in the body and impact on brain from neuroscience perspective.

·         The analysis can be done to other ancient Sanskrit text, epic, hymns etc.

·         One can target famous text from other languages also and perform comparative analysis.

UnPlug


Do you like Music? Radio One has started celebrating Music day. Our favorite music singers, not only talks with audience, but also sing their favorite songs with minimum musical instruments. Radio one also put all such recorded "Music Day" programs on its websites. http://www.radioone.in/ 

Radio One is active on Facebook. Someone asked on
Facebook
, about downloading such programs. Our blog "Express YourSelf !" is the answer for that. Yes, today I will share with you website links about all the Music Day programs from Radio One. You can listen live them on Radio One website. You can download also. Choice is yours. 




I am sure, this article will be useful for all the music lovers. 

Poems from Bollywood


Today, let me share three nice poems from various bollywood movies. I wish the reader of this blog "Express YourSelf !" will like them. They are from movie 1. Shaarabi, 2. Veer-zara, and 3. Lage Raho Munnabhai. I already shared Breathless lyrics at my blog. Enjoy MAADI !

Sharaabi
 
Kisi pe husna ka gurur, javani ka nasha
Kisi ke dil pe mahobat ki, ravani ka nasha
Kisi ko dekh ke saso se, ubharata hai nasha
Bina piye bhi kai had se, Gujarat hai nasha
Nashe me kaun nahi hai, muje batao jara
Kise hai hosh, mere samane to lavo jara
Nasha hai sab pe, magar rang nashe ka hai juda
Khi khili hue juba pe, hai sabnam ka nasha
Hava pe khushbu ka, badal pe, hai rimzim ka nasha
Kahi surun hai khushiyo ka, kahi gam ka nasha
Nasha Sharab me hota to, nachati bottle
Maikade jumate, paimano me hoti hal-chal
Nasha Sharab me hota to, nachati bottle
Nashe mai kaun nahi hai, muze batao jara
Log kahete hai mai sharabi hu
Tumane bhi shayad, yehi, socha liya hoga….

Veer-Jara


Ek din, jab savere savere,
Surmai se, andher ki chaadar hata ke,
Ek Parabt ke Takiye se,
Suraj ne sar jo uthaya,
To dekha,
Dil ki vadi me, chahat ka mausam aaya
Aur vado ki daliyo par,
Unginat bite lamho ki kaliya,
Mahekane lagi hai
Unkahi unsuni aaraju,
Aadhi soi hui, aadhi jaagi hui,
Aankhe malate huye dekhati hai,
Laher dar laher, Mauj dar mauj,
Baheti hui zindagi
Fir se har pal nai, aur fir bhi vahi,
Ha vahi zindagi
Jis ke daman me, koi mahobat bhi hai
Koi hasart bhi hai
Paas ana bhi hai, dur jana bhi hai
Aur yeh ahesas hai,
Waqt zarane sa bheta huva
Ja raha hai yeh kaheta huva
Dil ki vadi me, chahat ka mausam aaya
Aur vado ki daliyo par,
Unginat bite lamho ki kaliya,
Mahekane lagi hai

Lage Raho Munnabhai


Yeh hai mera aaj ka khayal
Un sab ke liye jo dode ja rahe hai, is shher me,
Shehar ki is daud me daud ke karana kya hai?
Agar yahi jina hai dosto, to fir marana kya hai?
Paheli baris me, train late hone ki fikra hai
Bhul gaye?
Bhigate huve tahelana kya hai?
Serial ke kiradaro ka sara haal hai malum
Par maa kaa haal puchhane ki, furasat kaha hai?
Aap ret pe nange paav tahelate kyo nahi?
Ek so aath hai channel, par dil bahelate kyo nahi?
Internet pe duniya se to touch mai hai
Lekin padosh me kaun raheta hai, janate tak nahi
Mobile, land line sab ki bharam hai,
Lekin zigari dost tak pahuche aise taar kaha hai?
Kab dubate huve suraj ko dekha thaa, yaad hai?
Kab jana tha, shaam ka gujarana kya hai?
To dosto,
Shehar ki is daud me daud ke karana kya hai?
Agar yahi jina hai dosto, to fir marana kya hai? 


And one more interesting poem from Coca Cola advertisement. Have a look http://www.youtube.com/watch?v=X7N9z8sh4sQ&feature=youtu.be


Here are the lyrics 


Umeedon Waali Dhoop, Sunshine Waali Aasha…
Rone Ke Wajah Kam Hai, Hasney Ke Bahaaney Zyaadaa...
Zidd Hai Muskurayengein, Khush Rehane Ka Hai Waadaa...
Umeedon Waali Dhoop, Sunshine Waali Aasha …
Tum Dil Se Agar Poochhoge, Woh Khush Rehnaa Hi Chahein …
Jab Sachey Man Se Maango, Toh Khul Jaate Hai Raahein …
Toh Khul Ke Khushi Lutao, Yeh Kyaa Aadhaa Aadhaa…
Umeedon Waali Dhoop, Sunshine Waali Aasha
Umeedon Waali Dhoop, Sunshine Waali Aashaaaaa...

Jaydeep Swadiya


Happy New year 2011

Every year, we celebrate new year. Let's celebrate it this time different. Let' welcome the new year with devotional songs. We are busy throughout our life. Let's spare some time for the almighty, for the God, for the devotion. 

We have Jaydeep Swadiya live in concert at NIMMA BENGALURU on 1st January 2011. Jaydeep Swadiya is world renown singer. Have a look to this video clip. Venue is KEBEA A/c. Auditorium, HB-55, 28, Race Course Road, Near Janta Dal Office, Bangalore, India. Ticket price is reasonable Rs. 300 and Rs 150 only.You can contact 9886188760. All fund goes to BAPS charities. Here are the details:


So you have two choice. Attend this event. Read its event report later on this blog and regret what you have missed. Choice is yours. :)

Voice of Bangalore - 2010


Garuda Mall, Bangalore is back with Voice of Bangalore event. This time it would be season 4 of Voice of Bangalore. This show has received an amazing response in the last three years.  Like other TV shows "Indian Idol", "TVS Sa Re Ga Ma", this event also provides an opportunity to talented singers. You can get more details here. I had attended the Voice of Bangalore season 4 and let me share its highlights for you all readers of Express YourSelf ! 
Gili Voice of Bangalore Season 4 Mega Final.
Venue: Garuda Mall, Bangalore
Time: 6 to 9:30 Oct 10, 2010
  • A live talent hunt show by Garuda Mall and Radio City
  • 7 intermediate rounds since August 2010,
  • More than 6000 participants.
  • The auditions at various colleges — including the Jain University, National College, Jyothi Nivas College, Vijaya College, the RV Colleges, and PES Institutions — and also at corporates Infosys and Tesco. 
  • The 6 finalists : Yaamini, Shwetha, Apoorva Shridhar and Pareekshith Kumar, Krishna T V, Deepak
  • Three rounds: Compulsory Kannada song, Hindi song and then duet song.
  • Judging panel : Playback singer Udit Narayan, Kannada music director Gurukiran and playback singer Rajesh Krishnan.


Now look at the show, performance, comments from judges.






We had first round of Kannada songs
  1. O My Love (Apoorva)
  2. Krishna Mi Jeevan (Yamini S)
  3. etc. 
We had Hindi songs
  1. Janeja, is dil me tum hi samaaye ho...(Apoorva)
  2. Is pyaar ko main kya naam du? (Parikshit)
  3. Man-Mohana from movie Jodha Akabar (Shewata)
  4. (Krishna)
  5. Teri Niyat Kharab Hai (Yamini)
  6. Tu Hi Tu Satrangi re... from movie Dil Se (Deepak)
Duet Song

  1. Kannada song by Apoorva and Krishna
  2. Albela Sajan Aayo Re from movie Ham Dil De Chuke Sanam
  3. Zoobi Doobi from movie 3 Idiots

Udit Narayan sang
  1. Zee TV, M TV, ...., Bari Holu Bari Holu, 
  2. Papa Kehte Hai (Qayamat Se Qayamat Tak)
  3. Chand Chupa Badal Mein (Ham Dil De Chuke Sanam)
  4. Ham Hai Ek Pal Yaha...
  5. Kunidhu Kunidhu Baare, (Mungaru Male) My favorite song. :-)

List of items, that the winners got as prizes.
  • 'Voice of Bangalore' honor.
  • Maruti A-Star car, 
  • Gili diamond jewelery
  • Watches
And the winners for fourth season Gili Voice of Bangalore are Deepak D. L. (male), and Yamini S. (female).




Look at some still photographs here and here

Media coverage:

Voice of Bangalore - 2007


Garuda Mall, Bangalore is back with Voice of Bangalore event. This time it would be season 4 of Voice of Bangalore. This show has received an amazing response in the last three years.  Like other TV shows "Indian Idol", "TVS Sa Re Ga Ma", this event also provides an oppertunity to talented singers. You can get more details here. I had attended the first Voice of Bangalore in year 2007 and let me share its highlights for you all readers of Express YourSelf ! It may inspire you to attend this event live at Garuda Mall, if you are in Bangalore. 

Gili Voice of Bangalore Season 1 Mega Final.
Venue: Garuda Mall, Bangalore
Time: 6 to 9:30 Sept 14, 2007
  • A live talent hunt show by Garuda Mall and Radio City
  • 9 weeks of auditioning, commenced from July 26,
  • More than 5500 participants.
  • Auditioned by eminent personalities from music industry like, Chandrika Gururaj, Praveen Godkhindi, Pallavi, Sangeetha Katti, Ganesh Desai, Supriya Acharya, Sunitha S, Fayaz Khan, Jimmy Raj, Satyaprakash, Biju Nair and others.
  • The auditions at the Garuda Mall, ITPL, WIPRO (Electronic City campus), National College and M S Ramaiah Institute of Technology.
  • 17 singers for Semi finals
  • The 6 finalists : Shakti Prasad, Divya H, Priyanka Gaharwal, Aniketh Prabhu, Raghupathi and Supriya
  • Three rounds: Compulsory Kannada song, Hindi song and then duet song.
  • Judging panel : Bollywood singer Kumar Sanu, music director Guru Kiran, Kannada director Indrajit Lankesh and film producer Ashwini Ramprasad.

Now look at the show, performance, comments from judges and winner announcement.


We had Hindi songs
  1. Ek Radha Ek Mira...Dono Ne Shaam ko Chaaha
  2. Tadap Tadap Ke Is Dil Se Aah Nikalti Rahi
  3. Satyam Shivam Sundaram...Title song
  4. Na Jaane Kabse...Nind Kam Aati Hai...
  5. Tere Bin Nahi Jina..Nahi Jina...
  6. Naino Ki Mat Suniyo
Hindi Duet songs
  1. Jai Jai Shiv Shankar. Kanta Lage Na Kankar
  2. Jane Ja....Dhundata Fir Raha...Main Tumhe Raat Din..
  3. Aaj Kal Tere Mere Pyar Ke Charche Har Jabaan Par.
List of items, that the winners got as prizes.
  • 'Voice of Bangalore' honour
  • Music Director Guru Kiran also signed them for his next movie
  • An exciting opportunity to sing in Indrajith Lankesh's next Hindi venture, 'Life' starring Shiney Ahuja
  • Gili Diamonds worth Rs 1,00,000
  • Free stay packages from Country Vacations
And the winners for first season Gili Voice of Bangalore were software engineer Shakti Prasad (male), and data analyst Supriya Ramakrishnaiah (female).

At last Kumar Shanu has message for all the participants, who could not win : "Ruk jana nahi tu kahi harke...". Kumar Sanu and Guru Kiran also performed at the show.

Look at some still photographs here

Times of India had covered this event. Click here

Breathless



An evening with a legendary Yoga Guru Dr B K S Iyenger




Bellur Krishnamachar Sundararaja Iyengar popularly known as Yogacharya B. K. S. Iyengar visited Bangalore recently. He founded the world popular - Iyenger Yoga. He is Padma Shri, Padma Bhushan, amongst the Times list of world's 100 most influential people. At age of 90+, he is still upright, spirited, talked passionately about Yoga. He shared some useful tips and insights to Yoga practice. His memory is razor sharp and voice is as if he is just 45. He is very loving, fatherly, jovial, humorous and very humble-down to earth.


On Teacher’s Day, 5th Sept, in a function organized at R.V. Dental College, Bangalore, I had this opportunity to listen and learn from one of the best Yoga Gurus. He gave an excellent speech about 'Samadhi Pada' chapter from Patanjali Yoga Sutra. Here is the glimpse of the speech. Please note, this is not verbatim. I have tried my level best to reproduce the content as per my understanding and memory. Corrections, Suggestions and comments are welcome.

He delivered his speech with standing posture. His speech was scheduled at the end of the function. It was quite late and some people from audience had left. He politely conveyed sorry and he skipped some of the points due to lack of time. He talked in English for the benefits of foreigners. He also acknowledged and appreciated that the foreigners had listened and ‘tolerated’ so far to us, as our programme was in regional Kannada language.


Patanjali Yoga Sutras are divided into 4 chapters or books (Sanskrit pada), containing in all 196 aphorisms.

  1. Samadhi Pada (51 sutras)
  2. Sadhana Pada (55 sutras) – means to achieve Yoga
  3. Vibhuti Pada (56 sutras) – the power that the yogi comes across in his quest
  4. Kaivalya Pada (34 sutras) – the absolution


"Yogaś chitta-vritti-nirodha
- Yoga is the restraint of mental modifications. Chitta (the mind) is like ocean. It is deep, steady and silent. However on the surface it has waves. The mind is attached with the gross body with five senses. These senses are outer side. So chitta has mental modifications or distortions. We need to direct these senses towards inside. There is something inside us, that is so powerful, wonderful - our consciousness, our spirit, Atma.” (Footnote 1)

"As per Patanajali, the mind has five types of distortions/modifications which create pleasure or pain. PRAMAN (proof), VIPARYAY (wrong logic), VIKLPA (Imagining), NINDRA (sleep) and SMIRTI (memory). However, I would like to say memory is not separate. It is combination of all the above four. Patanjali is suggesting two methods to overcome these distortions - ABHYASA and VAIRAGYA. ABHYASA is constant and determined practice. The practice of long duration, uninterrupted, with full love and devotion is essential for strong foundation. This will make the mind calm and tranquil.” (Footnote 2)

Dr. Iyengar continued, “VAIRAGYA is non-attachment or freedom from desires. VAIRAGYA is not renunciation. Many times VAIRAGYA is wrongly interpreted as renunciation. These two methods are like support. Just now you saw how Arunji demonstrated Yogasana with support of chair. Same way with this two supports we can overcome five (or four) modifications/distortions of mind.

ABHYASA also means awareness. Awareness about our body, breath. When you read KAN (atom) in ancient Pantanjali Yoga Sutra text, it is in fact cell, not atom. Are we aware that our body is made up of many cells? This awareness about each cell is knowledge. It is energy. Our body's each cell has energy, awareness and knowledge.

Avidya (ignorance), Asmita (the feeling of individuality which limits a person and distinguishes him from a group), Raga (attachment or passion), Dvesa (aversion) and Abhinivesa (the instinctive clinging to worldly life) (Footnote 3) are the causes which create Klesa - pain.


He explained different distractions and obstacles which hinder the aspirant’s practice of Yoga. These are Vyadhi (sickness), Styana (languor), Samsaya (doubt), Pramada ( insensibility), Alasya (laziness), Avirati (sensuality), Bhranti Darsana (illusion), Alabdha Bhumikatva (failure to concentrante) and Anavasthitattva (instability)



Along with this he also explained fourfold remedies that Patanjali has offered to overcome the obstacles. These are Maitri (friendliness), Karuna (compassion), Mudita (delight), Upeksa (disregard). He explained this with very simple example - “In this journey of spiritual path, you may face some obstacles, for example, your body may feel pain at the beginning when you start practicing Yogasana. Some people may get stuck at this body aspect of Yoga. You need to find out whether this pain can be overcome by practice or not. If yes, you continue to practice. If no, you need to be indifferent to it. Be aware about that pain, accept that pain and raise yourself above it. This Maitri and Upeksa will lead you to happiness. Be Happy. Remain happy. Yoga is not about merely theory for the scholar people. It is about practice, consistent practice. Some intellect people may get stuck at the logic, theory. You need to go beyond that also.”



He continued with few more warnings for all Sadhakas (seekers) about such obstacles. “Prior to applying these two tools namely Abhyasa and Vairagya, we need devotion, faith in God (Ishwara Pranidhana). It is the first step for spiritual journey. Thus Patanjali’s Yoga Sutra, looks like it talks about knowledge (GYAN YOGA). However it covers all the Yoga - Devotion (BHAKTI YOGA), Action (KARMA YOGA), and RAJ YOGA.” He also mentioned about different types of SAMAADHIs and he explained all of them.


Dr. B.K.S. Iyengar talked about Guru (the master). "Yes we all have Guru Parmpara (Guru, then Guru's Guru, Guru's Guru's Guru and so on). When we track it backwards, the first Guru is nothing but sound of OM. OMKARA, PRANAV sound. A+OO+M. Even Patanjali says, ’I am that first Guru and I am the God’...."

Then he explains the three aspects. "OM means A, OO and M. Breath has three aspects. Breath inhale (POORAK), hold it (KUMBHAK) and breath out/exhale (RECHAK). If you just breathe in and in and in then hold. It will not work. You need to breathe out as well. Same way, ASANA (postures) have three stages. Enter into the ASANA (posture), stay there and exit that ASANA (posture)." I first time heard this commonality between AUM, PRANAYAMA (breathing exercise) and ASANA.

"In fact, we need to regroup some of the SLOKAs (SUTRAs) in Patanjali Yoga Sutra, for the benefits of novices. For example:


Maitri, Karuna, Muditopekshaanaam....


Here Maharshi Patanjali talks about four attitudes: Friendship, mercy (compassion), gladness, indifference and then he talks about Pranayama (breathing exercise). Here also Patanajali is talking about eight limbs of Astang Yoga only. Here Maitri Friendship, Karuna Compassion etc are corresponding to Yama and Niyama limbs of Astang Yoga. And remaining limbs follows in the same sutra.....

He suggested some sequence, about what portion (how many sutras) from which chapter one should read and after that other sutras from other chapter and so on....so that it will make more sense. "I am working on a book about Patanjali Yoga Sutra. There I have regrouped some sutras or content." Later on I found on Wikipedia, that he has written one book : Iyengar, B.K.S. (1993, 2002). Light on the Yoga Sūtras of Patañjali. Hammersmith, London, UK: Thorsons. ISBN 978-0-00-714516-4

He remembered his Guru. Sri Tirumalai Krishnamacharya "On those days, Yoga was not popular. So they faced a difficult time and financial trouble. Today, I am proud of myself that I have made Yoga as means to earn livelihood for many people."

He concluded that "the complete programme consists of three BHRAMAs. First was classical music that was SHABDA BHRMA, second this knowledge session - GYAN BHRMA. Next you all are welcome for dinner. It is ANNA BHRMA"

Now let me provide some context about the event. It was silver jubilee function of Prashant Yogashraya, Bangalore. Dr B K S Iyenger had specially come from Pune to bless the occasion. The institute invited all the students and alumni from across the globe. This function was open to public and I am thankful to Dr. Sejal Shah for informing me about it and inviting for it. She is a Yoga teacher. The programme began at 5:30pm with wonderful classical-instrumental music. Yoga teacher Arunji, Director, Prashant Yogashraya gave superb demonstration of different Yogasana sequence (postures) in standing position with props like chairs, blankets and belt. Doing asana with the support of different props and in certain sequence are the unique features of Iyenger Yoga. Arunji informed that,
"We can perform about 80 Yogasana (postures) with such supports. Supports make it easy and still we get benefits of those Asanas." He is very popular among the students may be due to his sense of humor. We saw journey of 25 years of Prashant Yogashraya, with a short video clip. We saw many testimonials including Mr. Nandan Nilekani and his wife, Mrs Rohini Nilekani. Everyone wished all the best for Prashannt Yogashraya. We all welcomed Dr. B K S Iyengar with candles. Ms. Shreya as an anchor naturally announced all formalities.
Mrs Srimatha Arun (Co-founder, Prashant Yogashraya) gave a very touching vote of thanks.


Later on, Dr. Sejal informed me some key takeaway points from previous session. Again this is not verbatim. On 4th Sept, Dr. B.K.S. Iyengar inaugurated Yoga Nikaya. Shri Mouli Raman (Co-founder and CTO, OnMobile Global Ltd.) - a student of Arun Sir - built this beautiful and sacred place - YOGA NIKAYA to promote Yoga and health. Dr. B.K.S Iyenger while inaugurating Yoga Nikaya, emphasized and appealed to all the people to make use of this place to its full potential. This place is at Hosur, boundary of Bangalore, inside Tamilnadu boarder. While explaining in brief Yama and Niyama, he said “Yama is known God of death. If one does not follow the five Yamas as told by Patanjali, then it is equalizing to death. OR in other words, if we follow Yamas, then we can keep the death away. There is a difference between faith and belief. For example, you believe that Yoga is good for my health. However it is the faith that will lead you for persistent practice.


Dr. Iyengar delivered another lecture at Prashant Yogashraya. He stressed on being very watchful while performing Yogasana. “Yogasana is not just physical exercise similar to work out at gym. One should not perform Yogasana mechanically. You need to be watchful, attentive and alert when doing asana. Be aware and involved. Your awareness should pervade in your entire body including tips of your fingers and toes. This will help you to correct yourself if you observe that you are doing something wrong. This correction is very important. Make sure, your left and right hands are aligned when you raise them both. Make sure, all center points of body remains in one line. You should be actively working on your muscles. Observe your body and keep doing self correction, by paying attention. This it self is meditation. Be as perfect, graceful and steady as possible. Yes, flexibility of body and physical perfection for Yogasana is important. However more important is the state of your mind, Meditative mind. Your flexibility might be excellent but if your mind is not attentive, you are merely doing some physical exercise, not Yoga. With this kind of meditative practice once you achieve sufficient mastery over asanas, and then prefer to move to next stage of Pranayama and Dhyana. If you just do pranayama or dhyana and not do asanas, it won’t help you much and may harm also. Pranayama generates the energy, while asanas distributes it in the entire body. Avoid rushing to higher stage without preparing your body for it. Prepare your body and mind with Asanas, Yama, Niyama first..” He requested Arun sir to perform Shirsasna and then he asked him to do some corrections to demonstrate what meditative Shirsasna is.


I wish that all readers and the yoga sadhakas find this article useful. I have given some hyperlinks for the benefit of more interested readers. Also look at the left side bar, at the top. I have put slideshow of this event and Dr. B.K.S. Iyneger images.


Footnote 1: This reminds me, Sri Sri Ravishankar’s statement from his commentary on Patanjali Yoga Sutra. “You become object of your perception”


Footnote 2: Yes, I can recall, Sri Sri Ravishankar told this point in very convincing way in his commentary on Patanjali Yoga Sutra VCDs. “Even we need regular exercise, practice to build our body at gym for several months/years. So our mind needs regular practice for even longer duration. We can not achieve mind control, over night.”


Footnote 3: Yes, I can recall, Sri Sri Ravishankar explained this word ABHINIVESAAtma does not loose his/her(?) body accidentally. in unique way. It is like… little fear. So that any Atma does not loose his/her body accidentally.