11 Classification of Raag

• No Raag with all 12 notes
• No Raag with less than 6 notes. 
• No Raag with two Re (Komal Re and Suddha Re)
• No Raag with two Dha (Komal Dha and Suddha Dha)
• There are Raag with two Ga (Komal Ga and Suddha Ga)
• There are Raag with Tivra Ma and Pa
• There are Raag with two Ni (Komal Ni and Suddha Ni)
• Every Raag must have either Ga, Ma or Pa
• No Raag with presence of Re, but absence of Pa
• No Raag with presence of Re + Kodmal Dha , but absence of Komal G

Nomenclature 

• 0 Absent
• 1 Present
• <-> Ascent and vice versa in decent
• <- Decent

Correction R2, G2 replace with R2, G3

Musical Notes

Semi Tone: 

1. GA-MA(E-F) 

2. (NI-SA) (B-C): They are immediate switch

Minor Tone: 

1. SA-RE (C-D). Here we skip one key : Komal G (D#, Eb) 

2. RE-GA (D-E) . Here we skip one key : Komal RE (C#, Db) 

3. MA-PA (F-G). Here we skip one key : TIVRA MA (F#, Gb) 

4. (DHA-NI). Here we skip one key : Komal NI (A#, Bb) 

No.							Tone/SemiTone	Fy by SriNivas	Fy by Western	Fy By Manjarikaar	Linear scale	RASA Emotion
1	Do	C	So	Sa	S	षडज	कोमल स्वर Semi Tone	240	240	240	240.0000	RUDRA Anger
		C# Db	R1		K-R	कोमल रिषभ		259 1/5 259.2000	256	254 2/17 254.1176	254.2711
2	Re	D	R2, G2	Re	R	रिषभ	शुद्ध स्वर Tone	270	270	270	269.3909	VIR Valor, courage
		D# Eb	R3, G1		K-G	कोमल गंधार		288	288	288	285.4097
3	Mi	E	G2	Ga	G	गंधार	शुद्ध स्वर Tone		300	301 17/43 301.3953	302.3811	KRUPA & SHAANT, grace and peace
4	Fa	F	M1	Ma	M	मध्यम	कोमल स्वर Semi Tone	320	320	320	320.3616	HASYA, humor
		F# Gb	M2		T-M	तीव्र मध्यम		344 8/143 344.0559	337.5	338 14/17 338.8235	339.4113
5	Sol	G	P0	Pa	P	पंचम	शुद्ध स्वर Tone	360	360	360	359.5937	SHRUNGAAR , Romance
		G# Ab	D1		K-Dh	कोमल धैवत		388 4/5 388.8000	384	381 3/17 381.1765	380.9763
6	La	A	D2, N3	Dha	Dh	धैवत	शुद्ध स्वर Tone	405	400	405	403.6303	BIBHATS
		A#	D3, N1		K-N	कोमल निषाद		432	432	432	427.6314
7	Si	B	N2	Ni	N	निषाद	शुद्ध स्वर Tone	452 4/43 452.0930	450	452 4/43 452.0930	453.0597	BHAY & ___, fear and ___
	Do	C		Sa	S			480	480	480	480.0000

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